Uncanny and The Uncanny

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Bleeding Cool reports that the simultaneous titles Uncanny and The Uncanny are going to play nice.

Basically the opposite of the incident between DC and Clive Barker and his Next Testament.

Gives you a little faith in common decency.  Even though it sounds like there are lawyers involved still.

Read what they said over at Bleeding Cool.

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Horror Comics That Changed My Life #4

Classic literature has left a long legacy of prose and writings concerning the battle between heaven and hell that hails all the way back to the renaissance. The battle for earth and all of her souls was the source of prose by Milton, Bunyan and Shakespeare alike. By taking a sharply Jungian turn on this subject, Editor-in-chief at that time Tom Defalco and writer-Rafael Nieves launched the famed reboot of the classic Son of Satan title as “Hellstorm-Prince of Lies.”

This was 1993 and the current comic book explosion was at its very peak. Image Comics and Vertigo were absolutely killing. Dark Horse had come along and taken a gigantic chunk out of the market. Your regular costumed superheroes were considered passé by comic publishers and everybody was looking for that NEXT Alan Moore/Frank Miller. I think Marvel started to feel kind of left out of this new “Comics are good literature” idea that was taking over pop culture and college lectures worldwide.

So they hire Rafael Nieves to clean out all of the detritus and extra baggage that Damian Hellstrom was carrying around from years with The Defenders. He gave Damian back his Hellfire and trident by restoring the Darksoul. Mrs. Hellstrom, nee Patsy Walker (aka Hellcat), had been driven insane, slipping in and out of a coma and was now being nursed by Isaac the human gargoyle. Bust mostly we see that Damian had grown cynical of his costumed superhero ways and became dark, deep and brooding (no, I mean really…).

The second stage of this series sees writer Len Kaminski steer the plot into a strictly literate realm, illustrated over several issues as a loose retelling of “Pilgrim’s Progress” by John Bunyan. By the use of some Jungian devices, such as collective unconscious, Kaminski quite beautifully illustrated our spiritual crisis in modern western culture. Important questions were asked, like: Is homosexuality a sin? And: Is everyone able to surrender their ego in order to enter heaven/the great collective? Are angels really aliens and is the afterlife of heaven or hell a subconscious decision made long before ones death? This was not your everyday, run of the mill comics’ content for sure. This stuff was crucial at the time and after a few missteps, Kaminski had the book headed in a decidedly good direction.

Maybe this is why Marvel decided to shut him down? Maybe Marvel was afraid that this book might be too good? Perhaps the upper management at Marvel was sniffing glue? If they were so desperate to get into the “adult market” at the time, why did they move Kaminski over to “War Machine?” But the real question is, did they know what would happen when they handed the book over to a young British writer by the name of Warren Ellis?

With Damian Hellstrom fresh back from hell and a battle with his father Satan, Ellis dispensed with all of the Jungian drama and replaced it with some truly gothic sturm und drang. The evil undertones became overtones and Hellstorm began to really revel in his own sin and evil nature. Ellis simplified the plot and removed the effluvium that was littering the edges of this story. No more emotional heartrending over his role as a superhero. There was full acceptance of his role as the Son of Satan and the guilt had been removed.

This simple move made it possible for Ellis to explore the idea of good and evil and all the grey areas in between. The protagonist moved into a more active role as the agent of change that gave readers that action hit they so desire. As a result, the comic picked up the pace immediately by introducing a two issue mystery that brought in new characters. In addition, Ellis, in quite a humane maneuver, finally put down poor Patsy Hellstrom. I for one was happy to not have to see his wife rolling around in bed in a lunatic haze, issue after issue.

With the death of Hellcat, Damian was now able to slut around with whatever sexy occultist he chose without making the reader uncomfortable. The human gargoyle Isaac was revamped as well and became a more central player who acted as a separate conscious for a man without one of his own. But the best thing he did for me was the introduction of two concurrent themes: Demons who through jealousy of his lineage or by hubris crossed his path and a fight on Earth between Angels and the occultists who were devoted to protect her.

Underneath it all is Damian’s sister, Satana pulling the strings in an attempt to gain favor with their father. Sibling rivalry! Wow, all of this metaphysical fighting and violence is all about sibling rivalry. The simplicity of it is just one of those moments when you sit back with a smile on your face and say No Shit! This is the series that set Ellis up as one of the premier writers in the industry and at the ripe old age of 26! It was nice to see Marvel comics lose control for a short while and produce a book with teeth. Here’s to days long gone.

 

More on Next Testament

Clive Barker’s new comic Next Testament has new information out about it.

It looks like it is going to be a 12 issue series with art by Haemi Jang.  The plot revolves around:

“Julian Demond, captain of industry, has left behind everything to begin a walkabout — he believes he’s on a mission from God. While in the wasteland, he comes across a figure unlike any other, who calls himself Wick…and claims to be God. Their journey will span the globe, as neither man merely wants to make a mark on the world, but a scar.”

This starts coming out May 29th and I for one am very very excited!

Check out some more about it on Bloody Disgusting.

Darkhold #4 (January – 1993 – Marvel)

Darkhold #4

When last we left the Darkhold Redeemers they were jumping out of the frying pan and into the fryer.  Deep in the south of Perfection, South Carolina, Sam Buchanan was just about to get eaten by demons, when he is saved by a not so nice benefactor, Sabretooth.  Fortunately the demon that Sabertooth thought he killed isn’t dead, and has a grip of friends to back him up, giving Buchanan a chance to get away and try to find his partners.

Meanwhile Aurora, the woman who unleashed The Other on this unsuspecting little town, gets to witness firsthand what her foray into black magic has caused. Demons that she let loose tear apart her only friend in the town.  While those same demons were surrounding Vicki Montesi they passed her by like she was invisible.  Sitting in the basement of the local school in shock she is found by Louise Hastings and Buchanan just in time for Sabertooth to catch up with them.  Who in spite of his mutant healing factor is just about dead.

Buchanan talks Sabertooth down, and everybody takes a second to catch their breath which is when Louise figures out where the demons are coming from.  They are the N’Garai and they come from a portal that is located in the rock quarry.  Vicki, who is invisible to the N’Garai, and Sabertooth decide to make a run for the portal to destroy it, but upon arriving find Modred there already.  He has no plans to close the portal, all he wants to do is test if humans can go through it so he can get into Chthon’s realm.  Throwing someone that is caught up in the battle against the demons into the portal he finds that he will not be able to cross over into that realm, at the cost of innocent life.  Only one person can stop them, so with a belt of grenades Aurora (the woman who used the Darkhold page in the first place) pitches herself into the portal, blowing it to smithereens.  The Darkholders save the day again, but just in time for the Dwarf to show up with another black envelope.  This time for a man named Styge.

Chris Cooper hits the plot line of Darkhold full stride in this issue.  At this point it has moved forward from episodic to ongoing, and it becomes the kind of title that, at the time, I had to pick up month to month.  I was always wondering what was going to come up next.  The art from Nick Felchle seems less chunky and bold than previous issues, but he has no problem conveying different kinds of N’Garai.  Nothing to crazy though, everything seems to be cut from a superhero with a cray head or body mold.  Overall this is a decent issue that keeps me coming back for more.

Next Time:  Ghost Rider: Fear Itself #2

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Peter Hogan’s Kings Road in Dark Horse Presents

From the Dark Horse press release:

Peter Hogan (Resident Alien) returns to the pages of comics’ greatest anthology, Dark Horse Presents, with King’s Road! 

With artwork from Phil Winslade and lettering by Steve Dutro, King’s Road is sure to be another gem for the Eisner-winning monthly.   

  “King’s Road is about someone from another world—a magical, semimedieval world—who came to Earth about twenty years ago, and settled down and raised a family here. But now he has to go back again, taking his family with him, because he’s inherited the throne of that world. Meanwhile, there are all sorts of nasty magical creatures trying to kill him before he gets there,” said Hogan.

 Catch King’s Road appearing in Dark Horse Presents #23, on sale Wednesday April 24!”

Sounds pretty decent, and you just can’t go wrong with monsters and the people who hunt them!