Horror Comics That Changed My Life #4


Classic literature has left a long legacy of prose and writings concerning the battle between heaven and hell that hails all the way back to the renaissance. The battle for earth and all of her souls was the source of prose by Milton, Bunyan and Shakespeare alike. By taking a sharply Jungian turn on this subject, Editor-in-chief at that time Tom Defalco and writer-Rafael Nieves launched the famed reboot of the classic Son of Satan title as “Hellstorm-Prince of Lies.”

This was 1993 and the current comic book explosion was at its very peak. Image Comics and Vertigo were absolutely killing. Dark Horse had come along and taken a gigantic chunk out of the market. Your regular costumed superheroes were considered passé by comic publishers and everybody was looking for that NEXT Alan Moore/Frank Miller. I think Marvel started to feel kind of left out of this new “Comics are good literature” idea that was taking over pop culture and college lectures worldwide.

So they hire Rafael Nieves to clean out all of the detritus and extra baggage that Damian Hellstrom was carrying around from years with The Defenders. He gave Damian back his Hellfire and trident by restoring the Darksoul. Mrs. Hellstrom, nee Patsy Walker (aka Hellcat), had been driven insane, slipping in and out of a coma and was now being nursed by Isaac the human gargoyle. Bust mostly we see that Damian had grown cynical of his costumed superhero ways and became dark, deep and brooding (no, I mean really…).

The second stage of this series sees writer Len Kaminski steer the plot into a strictly literate realm, illustrated over several issues as a loose retelling of “Pilgrim’s Progress” by John Bunyan. By the use of some Jungian devices, such as collective unconscious, Kaminski quite beautifully illustrated our spiritual crisis in modern western culture. Important questions were asked, like: Is homosexuality a sin? And: Is everyone able to surrender their ego in order to enter heaven/the great collective? Are angels really aliens and is the afterlife of heaven or hell a subconscious decision made long before ones death? This was not your everyday, run of the mill comics’ content for sure. This stuff was crucial at the time and after a few missteps, Kaminski had the book headed in a decidedly good direction.

Maybe this is why Marvel decided to shut him down? Maybe Marvel was afraid that this book might be too good? Perhaps the upper management at Marvel was sniffing glue? If they were so desperate to get into the “adult market” at the time, why did they move Kaminski over to “War Machine?” But the real question is, did they know what would happen when they handed the book over to a young British writer by the name of Warren Ellis?

With Damian Hellstrom fresh back from hell and a battle with his father Satan, Ellis dispensed with all of the Jungian drama and replaced it with some truly gothic sturm und drang. The evil undertones became overtones and Hellstorm began to really revel in his own sin and evil nature. Ellis simplified the plot and removed the effluvium that was littering the edges of this story. No more emotional heartrending over his role as a superhero. There was full acceptance of his role as the Son of Satan and the guilt had been removed.

This simple move made it possible for Ellis to explore the idea of good and evil and all the grey areas in between. The protagonist moved into a more active role as the agent of change that gave readers that action hit they so desire. As a result, the comic picked up the pace immediately by introducing a two issue mystery that brought in new characters. In addition, Ellis, in quite a humane maneuver, finally put down poor Patsy Hellstrom. I for one was happy to not have to see his wife rolling around in bed in a lunatic haze, issue after issue.

With the death of Hellcat, Damian was now able to slut around with whatever sexy occultist he chose without making the reader uncomfortable. The human gargoyle Isaac was revamped as well and became a more central player who acted as a separate conscious for a man without one of his own. But the best thing he did for me was the introduction of two concurrent themes: Demons who through jealousy of his lineage or by hubris crossed his path and a fight on Earth between Angels and the occultists who were devoted to protect her.

Underneath it all is Damian’s sister, Satana pulling the strings in an attempt to gain favor with their father. Sibling rivalry! Wow, all of this metaphysical fighting and violence is all about sibling rivalry. The simplicity of it is just one of those moments when you sit back with a smile on your face and say No Shit! This is the series that set Ellis up as one of the premier writers in the industry and at the ripe old age of 26! It was nice to see Marvel comics lose control for a short while and produce a book with teeth. Here’s to days long gone.

 

Advertisements

2 thoughts on “Horror Comics That Changed My Life #4

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s